Tc-helicon VoiceLive 3 - Reference Manual User Manual Page 75
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Editing the Guitar layer
VoiceLive 3 – Reference manual (2014-03-29) 73
Wah (Wah-Wah) block / tab
If you haven’t heard “Voodoo Child (Slight
Return)” by Jimi Hendrix (or later Stevie Ray
Vaughan) go listen to it now. That’s Wah in a nut-
shell.
youtube.com/watch?v=d81fdU8EP28
(In fact, there’s also some interesting delay ef-
fects and reverb in there, too.)
Wah is basically a carefully constructed EQ filter
that you can sweep up and down the frequency
spectrum with a foot-operated pedal.
Tips and tricks for working
with the Wah-wah effect
– Our Wah effect block also includes a few
“Touch Wah” styles that simulate moving a
foot pedal based on your playing volume and
pace. If you don’t have an expression pedal,
try one of the “Touch” styles.
– Playing with Wah can increase your chances
of feedback, since this effect is boosting a
range of frequencies. Of course, Jimi would
have a great argument for feedback being a
good thing!
– Try combining the Wah effect with Octaver for
a Wah-Bass sound.
- VoiceLive 3 1
- Important safety instructions 3
- EMC / EMI 5
- For customers in Canada 5
- Before you begin 6
- About this manual 7
- Getting support 7
- VoiceSupport 7
- Introduction 8
- Design concepts 9
- Global effects 10
- Multi-track looper 11
- Store loops 11
- Complete guitar effects 12
- Advanced monitoring 12
- Introduction 13
- Top panel overview 14
- 1. Genre button 14
- 2. Setup button 14
- 3. Store button 14
- Footswitches overview 16
- 2. Layer footswitch 17
- 3. Step footswitch 18
- 4. µMod footswitch 18
- 5. Delay footswitch 19
- 6. Reverb footswitch 19
- 7. HIT footswitch 19
- 8. Double/Comp footswitch 20
- 9. Harmony/Drive footswitch 20
- 2 3 6 57 1 21
- Diagram legend 23
- Diagrams 24
- VoiceLive3 overview 25
- Getting started – setting up 26
- VoiceLive3 overview 27
- Quick troubleshooting tips 31
- “I’m not hearing my voice!” 31
- “I’m not hearing my guitar.” 31
- Getting to know VoiceLive3 32
- There’s no place like Home 32
- Using the Control knob 32
- Using the Arrow buttons 33
- What is a Preset? 33
- Using Steps 33
- What is NaturalPlay? 35
- Using Global Key/Scale 35
- Setting Key/Scale manually 35
- Let’s try Harmony! 36
- Using individual effects 37
- Using the HIT footswitch 37
- Change a button from Latched 38
- Remapping a footswitch 39
- Talk/Tuner Mode 40
- Guitar Effects 40
- Editing HIT 41
- Using ALL HIT 42
- HIT– Dynamic vs. Snapshot 43
- Storing Presets 43
- Tapping tempo 44
- Using Global Tempo 45
- Editing an Effect 45
- Using the Mix Controls 48
- Tips and tricks for working 50
- Buttonmap tab: 51
- Remapping footswitches 51
- Editing the Vocal layer 54
- Harmony block / tab 55
- NaturalPlay, Scale, Fixed 56
- & Pedal Modes 56
- Double block / tab 57
- Vocal Delay block / tab 58
- Vocal Reverb block / tab 59
- Har dTune block / tab 60
- Sy nth block / t ab 61
- Tr ansducer block / t ab 62
- Vocal µMod block / tab 63
- Choir block / tab 64
- Vocal Rhythmic block / tab 65
- Stut ter block / tab 66
- Vocal Buttonmap block / tab 67
- Remapping buttons 67
- Remapping Loop Triggers 68
- Editing the Guitar layer 69
- Amp block / ta b 70
- Drive block / t ab 71
- Guitar Delay block / tab 72
- Guitar Reverb block / tab 73
- Comp(ression) block / ta b 74
- Wah (Wah-Wah) block / tab 75
- Oct aver block / tab 77
- Guitar Rhythmic block / tab 78
- Guitar Buttonmap block / tab 79
- The Looper 80
- Basic Loop concepts and terms 81
- Loop Slots / Loop Tracks 81
- Presets and the Buttonmap 81
- Your first loop 82
- Setting up the metronome 82
- Start recording 83
- Set + Overdub vs. Set + Play 83
- Overdubbing 84
- Recording Loop track B 84
- Undo and Redo 85
- Using Swap 85
- The Utility menu 86
- Input sub-menu 87
- Metronome sub-menu 87
- Sync sub-menu 88
- The Looper 89
- Erase sub-menu 90
- Loop limits 90
- Input tab 92
- Input Gain parameter 92
- Input Type parameter 92
- Lead Delay parameter 93
- Lead Mute parameter 94
- Aux Level parameter 94
- Aux Vocal Cancel parameter 94
- Monitor Level parameter 95
- Output tab 96
- Output Mode parameter 96
- XLR Out Level parameter 96
- Headphone Limiter parameter 97
- Talk Trim parameter 97
- Guitar tab 98
- Phase parameter 98
- Speaker Sim Enable parameter 98
- Gate Threshold parameter 99
- MIDI tab 100
- Source parameter 100
- Filter parameter 100
- MIDI Channel parameter 100
- CC Channel parameter 101
- Transpose parameter 101
- Split Note parameter 101
- Split Direction parameter 102
- Vibrato Boost parameter 102
- Pitchbend Range parameter 102
- Sysex ID parameter 103
- SysEx Dump Rate parameter 103
- Tone tab 104
- Tone parameter 104
- De-ess parameter 104
- Compression mode parameter 104
- Threshold parameter (Manual 107
- Gate mode only) 107
- EQ Mode parameter 107
- Shape parameter (Adaptive 107
- EQ mode only) 107
- Mid BW parameter (Manual 109
- System tab 110
- Contrast parameter 110
- Global Preset parameter 110
- Global Tempo parameter 111
- Global Key/Scale parameter 111
- Tuner Reference parameter 112
- Hit Behavior parameter 112
- Buttonmap tab 113
- Step Button Mode parameter 114
- Mic Switch Function parameter 114
- Mic Switch Mode parameter 114
- Footswitch jack parameter 115
- Expr(ession) Pedal 115
- Function parameter 115
- Exp(ression) Min(imum) 116
- Pos(ition) parameter 116
- Exp(ression) Max(imum) 116
- SW3-1 / SW3-2 / SW3 117
- 3 Mode parameters 117
- Pedal Calibration tab 118
- Product info tab 118
- Appendix 119
- MIDI CC List 120
- System Maintenance/ 121
- Factory Reset 121
- Updating the firmware 121
- Technical Specifications 122
- Features 123
- Connections 123
- Analog Inputs 123
- Analog Outputs 124
- Operating Requirements 125
- USB cable 126
- Quickstart guide 126
- Guitar/Headphone combo cable 126
- Technical Specifications 127
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